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Detail from Botticelli's most famous work, [4] The Birth of Venus (c. 1484–1486) Alessandro di Mariano di Vanni Filipepi (c. 1445 [1] – May 17, 1510), better known as Sandro Botticelli (/ ˌ b ɒ t ɪ ˈ tʃ ɛ l i / BOT-ih-CHEL-ee; Italian: [ˈsandro bottiˈtʃɛlli]) or simply Botticelli, was an Italian painter of the Early Renaissance.
The following is a list of panel paintings, works on canvas and frescoes by the Italian painter Sandro Botticelli. [1] His drawings, such as those of the Divine Comedy, are excluded. It is not indicated if some works might be executed with more or less participation by his workshop.
Sandro Botticelli, The Birth of Venus (c. 1484–1486).Tempera on canvas. 172.5 cm × 278.9 cm (67.9 in × 109.6 in). Uffizi, Florence Detail: the face of Venus. The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s.
The painting by the artist most famous for “The Birth of Venus” and “Primavera” is estimated by Italian authorities to be worth at least €100 million ($109 million). It was commissioned ...
In the same room was Botticelli's Pallas and the Centaur, and also a large tondo with the Virgin and Child. The tondo is now unidentified, but is a type of painting especially associated with Botticelli. This was given the highest value of the three paintings, at 180 lire. A further inventory of 1503 records that the Primavera had a large white ...
The attribution to Botticelli's work was later confirmed by other experts, including Miklos Boskovits and Yukio Yashiro. [ 3 ] Nevertheless, most critics seem to agree that a part of the landscape in the background and the figure of St. John the Baptist would have been performed by an auxiliary in the studio of Botticelli, based on clear ...
Ronald Lightbown considers the painting may have originally been intended for Botticelli's own pleasure and use, as the Mystic Nativity seems to have been. Without any description of the setting in Lucian or Alberti, Botticelli has imagined a throne room very elaborately decorated with sculptures and reliefs of classical heroes, creatures from ancient myth, and battle scenes.
The most striking color in the work is obviously Fortitude's red robe, which is so elegantly draped off one shoulder and laid across her lap. Tempera paint is incapable of producing the hard and cutting edges that occur in oil painting, and this because of a very remarkable property, namely, the comparative transparency of even opaque colors ...