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One of the Songs of Ascents, Psalm 122 appears in Hebrew on the walls at the entrance to the City of David, Jerusalem.. Song of Ascents is a title given to fifteen of the Psalms, 120–134 (119–133 in the Septuagint and the Vulgate), each starting with the superscription "Shir Hama'aloth" (Hebrew: שיר המעלות, romanized: šir ham-ma‘loṯ, lit.
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The psalm is one of the fifteen Songs of Ascents (Shir Hama'alot), and one of three psalms consisting of only three verses. [2] It is attributed to David and is classified among the psalms of confidence. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies.
The psalm is one of the fifteen Songs of Ascents (Shir Hama'alot), and one of the three Songs of Ascents consisting of only three verses. [2] In the slightly different numbering system used in the Greek Septuagint version of the Bible and in the Latin Vulgate, this psalm is Psalm 132.
Psalm 130 is the 130th psalm of the Book of Psalms, one of the penitential psalms and one of 15 psalms that begin with the words "A song of ascents" (Shir Hama'alot). The first verse is a call to God in deep sorrow, from "out of the depths" or "out of the deep", as it is translated in the King James Version of the Bible and the Coverdale translation (used in the Book of Common Prayer ...
Pieces with text from Psalm 121: Scores at the International Music Score Library Project; Psalm 121: Free scores at the Choral Public Domain Library (ChoralWiki) Text of Psalm 121 according to the 1928 Psalter; Psalms Chapter 121 text in Hebrew and English, mechon-mamre.org; A song of ascents. / I raise my eyes toward the mountains.
Psalm 122 is the 122nd psalm of the Book of Psalms, beginning in English in the King James Version: "I was glad" and in Latin entitled Laetatus sum.It is attributed to King David and one of the fifteen psalms described as A song of ascents (Shir Hama'alot).
The fragments which make up the Song of Songs found at Qumran are numbered 4Q106, 4Q107, 4Q108, and 6Q6. The scroll 4Q240 is possibly a commentary on the Song of Songs . Emmanuel Tov once argued that 4Q107 is a liturgical text, later changed his assessment to a text for private use, and then abstained from any identification of the use of the ...