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Sonnet 30 starts with Shakespeare mulling over his past failings and sufferings, including his dead friends and that he feels that he hasn't done anything useful. But in the final couplet Shakespeare comments on how thinking about his friend helps him to recover all of the things that he's lost, and it allows him stop mourning over all that has happened in the past.
The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh, painted in June 1889.It depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village.
It is unclear when Keats first drafted "Bright Star"; his biographers suggest different dates. Andrew Motion suggests it was begun in October 1819. [1] Robert Gittings states that Keats began the poem in April 1818 – before he met his beloved Fanny Brawne – and he later revised it for her. [2]
Although Robin Hackett makes a considerably in-depth argument that Shakespeare's Sonnet 7 may be read in context with Virginia Woolf's The Waves as the story of an imperialistic "sun hero", [4] the potential bending of Shakespeare's work this analysis threatens may be best illustrated by the substantial lack of any other criticism seeking the ...
Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work. [1] The words poem and poetry derive from the Greek poiēma (to make) and poieo (to create).
Van Gogh's "The Starry Night" seems to follow a mathematical theory describing fluids in nature. He couldn't have understood the equations, which came about decades after his death.
The Norton Shakespeare annotates "and keep invention in a noted weed" thus: And keep literary creativity in such familiar clothing. The Oxford English Dictionary 's definition of weed is "an article of apparel; a garment", and is consistent with the theme of mending, re-using, etc. ("all my best is dressing old words new").
The dynamic that Shakespeare plays with in the "feeling" and the "form" of the sonnet portrays a "feeling in the form". He uses both the physical form and symbolic meaning of the sonnet art form. [15] "Since mind at first in character was done" [16] and "To this composed wonder of your frame."