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This can be attributed to the representation of Guanyin holding a child in Chinese art and sculpture; it is believed that Guanyin is the patron saint of mothers and grants parents filial children, this apparition is popularly known as the "Child-Sending Guanyin" (送子觀音).
The character is believed to be derived from the Buddhist bodhisattva Guanyin. [2] [3] Chinese scholars generally believe that Cihang Zhenren is the origin of Guanyin's male form and that the transition of Guanyin from male to female occurred during the Northern and Southern Dynasties period. [4]
The Hall of Guanyin or Guanyin Hall (simplified Chinese: 观音阁; traditional Chinese: 觀音閣; pinyin: Guānyīngé or simplified Chinese: 观音殿; traditional Chinese: 觀音殿; pinyin: Guānyīndiàn) is the most important annex halls in Chinese Buddhist temples and mainly for enshrining Guanyin (Avalokiteśvara). [1]
In East Asian Buddhism, the Six Guanyin (Chinese 六觀音 (traditional) / 六观音 (), pinyin: Liù Guānyīn; Korean: 육관음, Yuk Gwaneum; Japanese: 六観音, Roku Kannon, Rokkannon; Vietnamese: Lục Quán Âm) is a grouping of six manifestations of the bodhisattva Avalokiteśvara, known as Guanyin (Guanshiyin) in Chinese and Kannon (Kanzeon) in Japanese.
In Buddhism, Ekādaśamukha (Sanskrit: एकादशमुख, IPA: [eːˈkɑːd̪ɐɕɐmukʰɐ], lit."Eleven-Faced"; Chinese (Traditional): 十一面觀音; Simplified: 十一面观音; pinyin: Shíyīmiàn Guānyīn; Japanese: 十一面観音, Jūichimen Kannon) is a bodhisattva and a manifestation of Avalokiteśvara (known in Chinese as Guanyin), counted as one of six forms of the ...
Tieguanyin (simplified Chinese: 铁 观 音; traditional Chinese: 鐵觀音; pinyin: tiěguānyīn; Cantonese Yale: titgūnyām; Pe̍h-ōe-jī: Thih-koan-im; lit. 'Iron Goddess of Mercy '; Standard Chinese pronunciation [tʰjè.kwán.ín] ) is a variety of Chinese oolong tea that originated in the 19th century in Anxi in Fujian province .
It is a gilded bronze monument depicting a manifestation of the Bodhisattva Guanyin known as Shiyimian Qianshou Guanyin (Traditional Chinese: 十一面千手觀音, Simplified Chinese: 十一面千手观音), meaning the "Eleven-headed Thousand-armed Guanyin", which stands at 99 m (325 ft) tall. [1]
Qiu Zhu (Chinese: 仇珠; Wade–Giles: Ch'iu Chu; fl. 1565–1585), commonly known as Miss Qiu and by her art name Duling Neishi (Chinese: 杜陵内史), was a Chinese painter during the Ming dynasty, noted for paintings with figures (rather than landscapes), including several depictions of the goddess Guanyin.