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  2. Andalusian cadence - Wikipedia

    en.wikipedia.org/wiki/Andalusian_cadence

    Palos of flamenco. The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise: iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1]

  3. Rasgueado - Wikipedia

    en.wikipedia.org/wiki/Rasgueado

    Rasgueado (also called Golpeado, [1] Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques.

  4. List of flamenco guitarists - Wikipedia

    en.wikipedia.org/wiki/List_of_flamenco_guitarists

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  5. Golpe (guitar technique) - Wikipedia

    en.wikipedia.org/wiki/Golpe_(guitar_technique)

    Golpe is mostly used in flamenco guitar. It is a finger tap on the golpeador ("pick guard"). Technique.

  6. Siguiriyas - Wikipedia

    en.wikipedia.org/wiki/Siguiriyas

    This deep, expressive style is among the most important in flamenco. Unlike other palos of flamenco, siguiriyas stands out for being purely Romani ( Calé ) in origin. [ 2 ] [ 3 ] [ 4 ] Siguiriyas are normally played in the key of A Phrygian with each measure (the compás) consisting of 12 counts with emphasis on the 1st, 3rd, 5th, 8th and 11th ...

  7. Oscar Herrero - Wikipedia

    en.wikipedia.org/wiki/Oscar_Herrero

    Óscar Herrero is a Flamenco guitarist from Spain. He was born in Tomelloso ( Ciudad Real ) on 12 March 1959. Oscar Herrero has authored several flamenco guitar teaching DVDs and didactic textbooks.

  8. Tauromagia - Wikipedia

    en.wikipedia.org/wiki/Tauromagia

    Tauromagia is considered by many in the flamenco community to be the finest flamenco album of all time. [4] [5] The website Flamenco-world.com said "Tauromagia is the most outstanding conceptual work that Flamenco has given us." [2] La Sonanta said " “Tauromagia” is actually a milestone in the history of flamenco and hence timeless and ...

  9. Tarantas - Wikipedia

    en.wikipedia.org/wiki/Tarantas

    Tarantas is a cante libre (or toque libre, if played as a solo), meaning that it lacks both a regular rhythmic pattern (compás, in flamenco terminology) and a regular rhythmic unit (or beat). It can be sung or played, but not danced. Taranto, conversely, has a regular 2/4-meter, and is danceable.