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Studying the neuroscience of film is based on the hypothesis that some films, or film segments, lead viewers through a similar sequence of perceptual, emotional and cognitive states. Using fMRI brain imaging, researchers asked participants to watch 30 minutes of The Good, the Bad and the Ugly (1966) as they lay on their backs in the MRI scanner.
Child of Rage is a 1992 American biographical drama television film directed by Larry Peerce, starring Mel Harris, Dwight Schultz, Ashley Peldon and Mariette Hartley.The film is based on the true story of Beth Thomas, who had severe behavioral problems as a result of being sexually abused as a child.
Images is a 1972 psychological horror film directed and co-written by Robert Altman and starring Susannah York, René Auberjonois and Marcel Bozzuffi. The picture follows an unstable children's author who finds herself engulfed in apparitions and hallucinations while staying at her remote vacation home.
Persona is a 1966 Swedish avant-garde psychological drama film [n 1] written, directed, and produced by Ingmar Bergman and starring Bibi Andersson and Liv Ullmann.The story revolves around a young nurse named Alma (Andersson) and her patient, well-known stage actress Elisabet Vogler (Ullmann), who has suddenly stopped speaking.
The feared headmistress, Mrs. Jessica Williams (Jo Van Fleet), is worried about the influence of "the new girl". When Lucy commits suicide, Elizabeth resumes her investigation. When Lucy commits suicide, Elizabeth resumes her investigation.
Video Resources: The Changing Face of Feminist Psychology [20] is an original documentary that uses archival material and interviews to explore the context in which feminist psychology emerged and how it has shaped the field of psychology. [3] Original interview clips from individual psychologists can also be found on PFV's YouTube channel. [21]
All the pictures bring us the physical beauty of the people: a young girl, shy and mischievous of face, with a bead sewn into her lower lip like a permanent cinnamon drop; a wrestler prepared for his match, with his shaven head turned to look over the massive shoulder, all skin color taken away by a coating of ashes.
Beginning in the early 1980s, feminist film theory began to look at film through a more intersectional lens. The film journal Jump Cut published a special issue about titled "Lesbians and Film" in 1981 which examined the lack of lesbian identities in film. Jane Gaines's essay "White Privilege and Looking Relations: Race and Gender in Feminist ...