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The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]
In some schools of popular psychology and analytical psychology, the inner child is an individual's childlike aspect. It includes what a person learned as a child before puberty. The inner child is often conceived as a semi-independent subpersonality subordinate to the waking conscious mind. The term has therapeutic applications in counseling ...
The practice of adding tones may have led to superimposing chords and tonalities, though added tone chords have most often been used as more intense substitutes for traditional chords. [3] For instance a minor chord that includes a major second factor holds a great deal more dramatic tension due to the very close interval between the major ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
In music or music theory, secundal is the quality of a chord made from seconds, and anything related to things constructed from seconds such as counterpoint. Secundal chords are often called tone clusters more generally, especially when non-diatonic. "[Any] three or more pitches in secundal relationship may correctly be referred to as a tone ...
Going for a British sound, Bergen started with a chord progression based on The Beatles’ “I Want to Hold Your Hand” and Coburn added a lyric. The writers did not receive the usual $25 or $50 advance, but the company did pay for a one-hour demo recording which took place with studio players including Frank Owens (piano) and Kenny Karen ...
The end of the chorus cadences back to the tonic of B ♭ with the chords C, G ♭, F, B ♭. G ♭ is the tritone substitution of the V chord for F, and F to B ♭ forms another authentic cadence. Lyrically, Joel was inspired by visiting the city of Vienna and his father, who left the family when Joel was a child. [5]