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Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
Some of the popular pastimes of Radha Krishna include: Raslila, pastimes of Radha Kund, Gopashtami lila, [102] Lathmar Holi, Seva Kunj lila in which Krishna did sringara of Radha, [103] Maan lila ( A special stage in divine love in which the devotee develops so much love for God as to even attain the right of getting angry with him), [104] Mor ...
Notable English translations are: Edwin Arnold's The Indian Song of Songs (1875); Sri Jayadevas Gita Govinda: The loves of Krisna and Radha (Bombay 1940) by George Keyt and Harold Peiris; [17] S. Lakshminarasimha Sastri The Gita Govinda of Jayadeva, Madras, 1956; Duncan Greenlee's Theosophical rendering The Song of the Divine, Madras, 1962 ...
Garga-samhita contents # Khanda (Book) Number of chapters Content 1 Goloka-khanda: 20 Pastimes of Radha Krishna in Goloka, Structure of Goloka.: 2 Vrindavana-khanda: 26 Krishna's pastimes with Radha, Gopis and Gopas (cowherds); identifies various places (including Vrindavan) in the Mathura mandala (region) as the sites of these events.
English translation (by Radhakrishnan) I.1. (The mental) natures are the result of what we have thought, are chieftained by our thoughts, are made up of our thoughts. If a man speaks or acts with an evil thought, sorrow follows him (as a consequence) even as the wheel follows the foot of the drawer (i.e. the ox which draws the cart). [1] XXI.1.
Radha Krishna, queen and king of Goloka. Goloka (Sanskrit: गोलोक) or Goloka Vrindavan (IAST: Goloka Vṛndāvana) is the celestial abode of the Hindu god Krishna and his chief consort Radha. [1] [2] In the Bhagavata Purana [3] and Garga Samhita, Krishna is portrayed as the highest person who resides in Goloka along with his consort ...
The worshippers of the absolute are of the highest rank; second to them are the worshippers of the personal God; then come the worshippers of the incarnations of Rama, Krishna, Buddha; below them are those who worship deities, ancestors, and sages, and lowest of all are the worshippers of petty forces and spirits.
Tanjore Royal Palace. The work comprises four sections, between them consisting of five hundred and eighty-four poems, and belonged to the genre of śṛṅgāra-kāvya or śṛṅgāra-prabandham, [2] 'a genre associated in the history of Telugu literature with the Thanjavur era' whose poems were mostly inventive retellings of the story of Radha and Krishna, evoking the rāsa of Sringara. [3]