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Some later Korean poetry followed the style of Tang lyric poetry such as the shi poetry form. Notable Korean poetry began to flourish during the Goryeo period (starting in 935). Collections were rarely printed. Ch'oe Ch'i-wŏn (857–10th century) The earliest extant collection of poetry in Korean is "Songs of the Ten Vows Samantabhara" by Kyun ...
Hyangga (Korean: 향가; Hanja: 鄕歌) were poems written using Chinese characters in a system known as hyangchal during the Unified Silla and early Goryeo periods of Korean history. Only a few have survived: 14 in the Samguk yusa (late 6th to 9th centuries) and 11 by the monk Kyunyeo (10th century). [1]
In the post-war period, a traditionalist movement emerged: going back to the roots of traditional rhythms and folk sentiments. Other poets are linked to an experimentalist movement, attempting to bring new experiences to Korean poetry. In the 1960s many South Korean writers started to reject post-war literature as sentimental escapism.
Until the early 1920s, Kim Ok mainly introduced foreign literary theories to Korea and pursued Western-style free verse, freely singing of his emotions. In the mid-1920s, however, he turned his attention to traditional poetry and forms, translating Chinese poetry, discovering folk songs, and composing Eastern-style fixed verse. [8] [9]
Kim Sowol (Korean: 김소월; 1902–1934) was a Korean language poet famous for his contributions to early modern poetry. [1] Throughout his life he wrote his poignant poetry in a style reminiscent of traditional Korean folk songs. The most prized example of this style was "Azaleas (진달래꽃)", the title poem of his sole collection of poetry.
Heo Nanseolheon (1563 – 19 March 1589), was a Korean painter and poet of the mid-Joseon dynasty.She was the younger sister of Heo Bong, a politician and political writer, and elder to Heo Gyun, a prominent writer of the time and credited as the author of The Tale of Hong Gildong.
Yun is considered the greatest master of the sijo form in Korean literature. [3] His most famous composition is The Fisherman's Calendar (어부사시사, 1651) [4] a cycle of forty seasonal sijo. In both Chinese and Korean classical poetry, the fisherman
Im’s work spanned across poetry, literary and film criticism, and acting. Im wrote nearly 80 poems and over 200 essays, playing a key role in modern Korean poetry, criticism, and literary studies, particularly in proletarian and leftist literature. [3] Im is also known for short epic poetry (Danpyeon seosasi) and transplantation theory.