Search results
Results From The WOW.Com Content Network
Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...
Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.
Chromatic fourth: lament bass bassline in Dm (D–C ♯ –C(♮)–B–B ♭ –A) The diatonic scale notes (above) and the non-scale chromatic notes (below) [1] Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave ...
The cross-strung harp or chromatic double harp is a multi-course harp that has two rows of strings which intersect without touching. While accidentals are played on the pedal harp via the pedals and on the lever harp with levers, the cross-strung harp features two rows so that each of the twelve semitones of the chromatic scale has its own string.
Atonality in its broadest sense is music that lacks a tonal center, or key. [1] Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. [2]
Triads with added notes such as the sixth, seventh, or second (added tone chords) are the most common, [3] [4]) while the "most elementary form" is a nonharmonic bass. [1] According to Slonimsky's definition, Pan-diatonicism sanctions the simultaneous use of any or all seven tones of the diatonic scale, with the bass determining the harmony ...
Chromatic scales involve both. Three immediately adjacent keys produce a basic chromatic tone cluster. Prototypical tone clusters are chords of three or more adjacent notes on a chromatic scale, that is, three or more adjacent pitches each separated by only a semitone.
"Mirror forms", P, R, I, and RI, of a tone row (from Arnold Schoenberg's Variations for Orchestra Op. 31, "Called mirror forms because...they are identical". [1]In music, a tone row or note row (German: Reihe or Tonreihe), also series or set, [2] is a non-repetitive ordering of a set of pitch-classes, typically of the twelve notes in musical set theory of the chromatic scale, though both ...