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The boxes are traditionally made of lacquered wood and are used to hold writing implements. [1] Historically, the boxes were associated with calligraphy , and as such they were made using high-quality materials designed to safeguard porcelain inkstones ( suzuri ) from damage.
Lacquer was used both on pottery, and on different types of wooden items. In some cases, burial clothes for the dead were also lacquered. [22] Many lacquered objects have turned up during the Early Jōmon period; this indicates that this was an established part of Jōmon culture. [22]
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
A Chinese six-pointed tray, red lacquer over wood, from the Song dynasty (960–1279), 12th–13th century, Metropolitan Museum of Art. Urushiol-based lacquers differ from most others, being slow-drying, and set by oxidation and polymerization, rather than by evaporation alone. The active ingredient of the resin is urushiol, a mixture of ...
In Olinalá, lacquered pieces are referred to as obras (works of art) . [2] The history of the craft can be divided into four periods – the pre-Hispanic period, the colonial period (to the Mexican War of Independence), the 19th century, and the 20th century to the present.
The production of lacquerware involves a process of applying a ground layer, [6] oftentimes lacquer mixed with other substances such as clay or a layer of fabric, followed by many very thin layers of processed lacquer to a substrate, typically wood, and allowing them to dry completely, [6] then curing and polishing. [2]