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Timpani is an Italian plural, the singular of which is timpano. However, in English the term timpano is only widely in use by practitioners: several are more typically referred to collectively as kettledrums, timpani, temple drums, or timps. They are also often incorrectly termed timpanis. A musician who plays timpani is a timpanist.
The timpani is considerably older than other melodic percussion instruments, such as the marimba and xylophone. [citation needed] Music historians trace the instrument's history to ancient times when the drums were used in religious ceremonies. During the 13th century, timpani began to be used in pairs and were called Nakers, or Nakirs.
Playing throughout the majority of the movement, the timpani guide the orchestra into a quick descent, and, having quieted the ensemble, provide gentle pulse. Brass play some short chords, and then settle onto a lingering resolution. The movement, approximately six minutes in length, draws to a tranquil close.
A timpani concerto is piece of music written for timpani with orchestral or band accompaniment. It is usually in three parts or movements . The first timpani concertos were written in the Baroque and Classical periods of music.
Percussion: timpani, snare drum, bass drum, chimes, etc. Keyboard instruments: celesta, organ, piano; String instruments: harp, violins, violas, cellos, basses, frequently abbreviated to 'str', 'strs' or similar. If any soloists or a choir are called for, their parts are usually printed between the percussion/keyboards and the strings in the score.
Instruments can have their tone muted with wood, rubber, metal, or plastic devices (for string instruments, mutes are clipped to the bridge; for brass instruments, mutes are inserted in the bell), or parts of the body (guitar; French Horn), or fabric (clarinet; timpani), among other means. In piano music (notably in Beethoven's Moonlight Sonata ...
The consensus format for specifying which instruments or voices a work uses follows the precedents established by professional writers on music, for example in program notes written for concerts. These generally employ a simple paragraph style, listing the instruments in the normal order in which they appear in the full score.
Missa in tempore belli (English: Mass in Time of War) is a setting of the mass by Joseph Haydn.It is catalogued Mass No. 10 [1] in C major (Hob. XXII:9). [1] Known also as the Paukenmesse due to the dramatic use of timpani, it is one of the most popular of his fourteen mass settings.