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"Bottle of Red Wine" is an uptempo blues rock song, written and recorded by the British rock musician Eric Clapton for his eponymous studio album Eric Clapton in 1970 under Polydor Records. The recording was produced by Delaney Bramlett and is of a three-minute and six second duration. [ 2 ]
Besides being released on the studio album and as a single in 1970, the track is included on various live and compilation albums: The History of Eric Clapton (1972), Eric Clapton at His Best (1972), Just One Night (1980), [3] Backtrackin' (1984), Time Pieces Vol.II Live in the Seventies (1985), Crossroads (1988) and The Cream of Clapton (1995 ...
Bad Love (Eric Clapton song) Badge (song) Barcelona (Ronnie Lane song) Believe in Life; Bell Bottom Blues (Derek and the Dominos song) Blues Power; Bottle of Red Wine; C.
Backless is the sixth solo studio album by Eric Clapton, released in November 1978. Produced by Glyn Johns , and released by RSO Records , Backless reached no. 8 on the pop charts. While the single " Promises " only reached no. 37 on the UK Singles Chart , it was a much bigger success in the US, reaching no. 9 on the Billboard Hot 100 .
"I) Get Lost" is a pop song written and recorded by the British rock musician Eric Clapton. The title was released as both a single on 23 November 1999 for Reprise Records and is featured as part of the compilation album Clapton Chronicles: The Best of Eric Clapton, which was released on 12 October 1999.
Money and Cigarettes is the eighth solo studio album by Eric Clapton, recorded after his first rehabilitation from alcoholism.Produced by Clapton and Tom Dowd with, apart from Albert Lee, a new backing band of veteran session musicians including Donald "Duck" Dunn, Roger Hawkins, and Ry Cooder.
Then there was Beyonce’s No. 1 hit “Bootylicious,” which served as the perfect needle drop for the new animated film “Turning Red,” directed by Domee Shi, set in early 2000s Toronto.
For Clapton, it was his second experience writing for film (his first was the title music for the movie 'The Hit', recorded the previous year); shortly after attending Terry Gilliam's movie Brazil with his friend Kamen, who had scored the film, he received a call from the BBC asking him to do the music for Edge of Darkness, and he subsequently asked Kamen for assistance.