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Gordon began his study of music with the clarinet at the age of 13, then switched to the alto saxophone at 15, and finally to the tenor saxophone at 17. [5] [4] He studied with multi-instrumentalist Lloyd Reese while attending Thomas Jefferson High School, and studied with the school’s band director, Sam Browne. [6]
From 1935 through 1943, C. G. Conn produced the 26M and 30M "Connqueror" alto and tenor saxophones, featuring screw-adjustable keywork and improved mechanisms for the left hand cluster. The keywork was the most fully adjustable of any saxophone during that period. C. G.
As per advertising of the time, the well-known American saxophone manufacturer, Buescher imported a number of these instruments into the United States during the late 1920s or early 1930s, perhaps as an answer to C.G. Conn's production of the contrabass sarrusophone. Per advertisements for this instrument and photos that have appeared in books ...
During the 1920s Buescher also made small numbers of tipped-bell soprano, straight alto, and straight tenor saxophones. Buescher stayed true to Adolphe Sax's concept for saxophone sound into the early 1930s, gaining the favor of classical saxophonist Sigurd Rascher and those influenced by him. Buescher adapted its sound concept to the bigger ...
A "stencil" saxophone is a saxophone made by a manufacturer that is then sold to another company that (perhaps literally) takes a stencil and engraves their own name/information on the horn. The Julius Keilwerth company provided not only complete saxophones to other companies as stencils, but also saxophone bodies for other companies to affix ...
Koz plays a Yamaha silver alto sax (YAS-62S Mk. I) with a No. 7 Beechler metal mouthpiece, a Yamaha straight silver Soprano sax (YSS-62S) or a vintage Conn curved soprano sax with a No. 8 Couf mouthpiece, and a Selmer Mark VI Tenor sax with a Berg-Larsen 90/2 hard rubber mouthpiece. As for reeds, he uses a No. 3 Rico Plasticover. [22]