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Le Bouquet (1951) by Marc Saint-Saens is among the best and most representative French tapestries of the fifties. It is a tribute to Saint-Saens’s predilection for scenes from nature and rustic life. [6] The museum of the Cité internationale de la tapisserie ) in Aubusson which opened in 2016 has a large collection of Aubusson tapestries.
The Paris Convention and Visitors Bureau describes the museum as housing "a spectacular collection of French decorative art from the second half of the 18th century. Admire Aubusson tapestries, canvases by Élisabeth Vigée-Lebrun or items that once belonged to Marie-Antoinette.
The Pastoral Amusements, (French: Les Amusements champêtres) is a series of tapestries designed between 1720 and 1730 [1] by Jean-Baptiste Oudry for Noël-Antoine de Mérou, then director of the Royal Beauvais Tapestry Manufactory. The first production of the designs took place at Beauvais in 1731. [2]
Aubusson is well known for its tapestry and carpets, which have been famous throughout the world since the 14th century. The origins of this craft date to the arrival of weavers from Flanders, who took refuge in Aubusson around 1580. There is a famous collection of Aubusson tapestries at Vallon-Pont-d'Arc. The style of the tapestries produced ...
The biggest collection of Flanders tapestry is in the Spanish royal collection, there is 8000 metres of historical tapestry from Flanders, as well as Spanish tapestries designed by Goya and others. There is a special museum in the Royal Palace of La Granja de San Ildefonso , and others are displayed in various historic buildings.
Cuttoli commissioned tapestry cartoons from Georges Braque, Fernand Léger, Joan Miró, and Pablo Picasso in 1927. [3] The following year, she turned her attention to reviving the Aubusson tapestry industry. [1] She encouraged additional avant-garde artists of the time to weave tapestries based upon their easel paintings. [10]