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A votive plaque known as the Ninnion Tablet depicting elements of the Eleusinian Mysteries, discovered in the sanctuary at Eleusis (mid-4th century BC). The Eleusinian Mysteries (Greek: Ἐλευσίνια Μυστήρια, romanized: Eleusínia Mystḗria) were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece.
The relief is made of Pentelic marble, and it is 2,20 m. tall, 1,52 m. wide, and 15 cm thick. [4] It depicts the three most important figures of the Eleusianian Mysteries; the goddess of agriculture and abundance Demeter, her daughter Persephone queen of the Underworld and the Eleusinian hero Triptolemus, the son of Queen Metanira, [3] [4] in what appears to be a rite. [1]
Triptolemus' first introduction to Demeter is during Demeter's search for her daughter following the abduction of Persephone.While Demeter, in the guise of an old woman [8] named Doso, [9] was searching for her daughter Persephone (Kore), who had been abducted by Hades (Pluto), [10] she received a hospitable welcome from Celeus, the King of Eleusis.
These two gifts were intimately connected in Demeter's myths and mystery cults. Demeter is the giver of mystic rites and the giver of the civilized way of life (teaching the laws of agriculture). Her epithet Eleusinia relates her with the Eleusinian mysteries, however at Sparta Eleusinia had an early use, and it was probably a name rather than ...
General view of the site of the Telesterion in Eleusis Another View of Telesterion (Initiation Hall), Center for the Eleusinian Mysteries, Eleusis. The Telesterion ("Initiation Hall" from Gr. τελείω, "to complete, to fulfill, to consecrate, to initiate") was a great hall and sanctuary in Eleusis, one of the primary centers of the Eleusinian Mysteries.
As a gift to Celeus, because of his hospitality, Demeter planned to make Demophon a god by anointing and coating him with ambrosia, breathing gently upon him while holding him in her arms and bosom, and making him immortal by burning his mortal spirit away in the family's hearth every night. She put him in the fire at night like a firebrand or ...
Demeter and Metanira, detail of an Apulian red-figure hydria, Antikensammlung Berlin (1984.46) In Greek mythology, Metanira (/ ˌ m ɛ t ə ˈ n aɪ r ə /; Ancient Greek: Μετάνειρα Metáneira) or Meganira [1] was a queen of Eleusis as wife of King Celeus. She was the daughter of Amphictyon, the king of Athens. [2]
The principal epochs of sanctuary architecture took shape in the background of monumental events in the history of Cyrene (parent city). During the Sanctuary's four phases, it underwent significant internal change, but still characteristically remained an extramural hillside precinct enclosing a variety independent(?) cultic installations.