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Sayid was not in the original draft of the pilot episode, but the producers knew early on that they wanted an international cast. Executive consultant Jeff Pinkner had worked with Naveen Andrews on a short-lived ABC series called The Beast, and was keen to have him on Lost. The producers were surprised that Andrews was interested in the role.
Naveen William Sidney Andrews (born 17 January 1969) [1] is a British-American actor. He is best known for his role as Sayid Jarrah in the television series Lost (2004–2010), for which he was nominated for a Golden Globe Award and a Primetime Emmy Award, as well as winning a Screen Actors Guild Award along with the cast.
In response to Sayid's questioning, Henry cannot recount the specific details of burying his wife. Sayid believes he is lying, stating he would know every last detail about digging his wife's grave. Henry then realizes that Sayid had lost someone close to him on the island. Sayid beats him as Jack and Locke listen from outside.
Kiefer Sutherland and other cast members from the 1987 horror favorite share behind-the-scenes memories on the movie's 35th anniversary.
As a child, Sayid watches as his older brother is forced by his father to kill a chicken as a rite of passage. He is unable to do it, so Sayid does it for him; this greatly pleases Sayid's father. While working for Ben (Michael Emerson), [N 1] Sayid kills a man in Moscow. This is the last man on Ben's hit list, leaving Sayid uncertain about how ...
How 'The Lost Boys' sexy saxophonist Tim Cappello ended up in that 'greased-up, hip-popping, jumping-around, ultra sort of balls-out' concert scene. Lyndsey Parker. October 17, 2023 at 1:00 PM.
"The Long Con" is the 38th episode of Lost. It is the 13th episode of the second season. The episode was directed by Roxann Dawson, and written by Leonard Dick and Steven Maeda. It first aired on February 8, 2006, on ABC. The character of James "Sawyer" Ford is featured in the episode's flashbacks.
The Lost Boys was filmed before CGI revolutionized cinematic special effects, but there is a bit of digital trickery that happens after David meets his end on the pointy side of a set of antlers ...