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Drape (draping or fabric drape) is the property of different textile materials how they fold, fall, or hang over a three-dimensional body. Draping depends upon the fiber characteristics and the flexibility, looseness, and softness of the material. [2] [3] Draped garments follow the form of the human body beneath them. [4] [5]
Draping is a most ancient and widespread form of clothing. Many visual arts of the Romans and Indian sculptures , terracottas , cave paintings , and wood carvings (also shown in picture gallery) representing men and women show the same, unstitched clothes with various wrapping and draping styles.
The term is used within a fashion design or costume design studio for people tasked with creating garments or patterns by draping fabric over a dress form; draping uses a human form to physically position the cloth into a desired pattern. This is an alternative method to drafting, when the garment is initially worked out from measurements on paper.
Drape (draping or fabric drape) is the property of different textile materials how they fold, fall, or hang along with a three-dimensional body. Draping depends upon the fiber characteristics and the flexibility, looseness, and softness of the material. Drape finishes can also alter the draping properties of clothes. [2] [5]
The selvage (US English) or selvedge (British English) is the term for the self-finished edges of fabric. In woven fabric, selvages are the edges that run parallel to the warp, and are created by the weft thread looping back at the end of each row. The selvage of commercially produced fabrics is often cut away and discarded. [26]
Uncoated fabrics provide a reasonable level of heat insulation due to their tight weaves, but are too thin to completely absorb strong light. As a result, when curtains made from uncoated fabrics are closed in an attempt to block out direct sunlight, light will still be visible through the curtain because its textiles are shiny.
The "bias-cut" is a technique used by designers for cutting clothing to utilize the greater stretch in the bias or diagonal direction of the fabric, thereby causing it to accentuate body lines and curves and drape softly. For example, a full-skirted dress cut on the bias will hang more gracefully or a narrow dress will cling to the figure.
When a drape is flown, the task of adjusting its height for best masking effect is simplified and, in the case of a drape that must be moved during a performance, this enables the drape to be quickly raised above the proscenium arch—thus positioning it out of view of spectators—or lowered to any desired height above the stage.