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Soundtrack to the film. Twin Peaks Music: Season Two Music and More. Release date: October 7, 2007; Label: Absurda, David Lynch; Format: CD; Angelo Badalamenti & David Lynch: Composed of music from the second season of Twin Peaks. The Twin Peaks Archive. Release date: March 10, 2011 – July 13, 2012; Label: David Lynch; Format: Digital download
The series' co-creator David Lynch produced the album alongside Badalamenti and wrote lyrics for several tracks, including the series' theme song "Falling".. Upon its release, Soundtrack from Twin Peaks placed in several international charts—including the top 10 in Norway, Sweden, Australia and the Netherlands—and "Twin Peaks Theme" received the award for Best Pop Instrumental Performance ...
Twin Peaks: Music from the Limited Event Series is a soundtrack album to the Twin Peaks revival series. It was released on September 8, 2017, by Rhino Entertainment. [4] Throughout the series, many well-known recording artists would perform studio renditions of their songs at the Roadhouse. [5]
The album is the score to the Twin Peaks revival series, and includes previously unreleased compositions by Badalamenti. [4] [5] An additional soundtrack, which featured music performed and featured diegetically on the revival series, was concurrently released as Twin Peaks: Music from the Limited Event Series.
The soundtrack for the film Twin Peaks: Fire Walk with Me was composed by Angelo Badalamenti and released on August 7, 1992, by Warner Bros. Records. [ 4 ] Track listing
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"Falling" is a song by American dream pop singer Julee Cruise. It is the lead single and second track from her debut studio album, Floating into the Night (1989). Featuring music composed by Angelo Badalamenti and lyrics written by David Lynch, an instrumental version of "Falling" was used as the theme song for the ABC television series Twin Peaks and its Showtime revival.
Floating into the Night was produced and written by Badalamenti and Lynch; Badalamenti composed the music and Lynch wrote the lyrics. [2] Cruise initially regarded herself as "a Broadway belter" and had a reputation for letting "angry and aggressive emotions power her work," but Lynch "felt that Cruise had a 'soft, sad side '" and encouraged her to sing in a softer tone and in a higher ...