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The story of Pygmalion is the subject of Jean-Philippe Rameau's 1748 opera, Pigmalion. It was also the subject of Georg Benda's 1779 monodrama, Pygmalion. Ramler's poem Pygmalion was set to music as an aria by J.C.F.Bach in 1772, and as a cantata by Friedrich Benda in 1784. Pygmalion was the subject of Gaetano Donizetti's first opera, Il ...
Pigmalion, more commonly today Pygmalion, is an opera in the form of a one-act acte de ballet by Jean-Philippe Rameau first performed on 27 August 1748 at the Paris Opera. The libretto is by Ballot de Sauvot .
In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871.
The story was combined with and inflected the modern re-telling of the Pygmalion myth, especially in its treatment by George Bernard Shaw as the 1913 play Pygmalion, though Henry Higgins does not, in the play, display any romantic attraction to Eliza Doolittle whatsoever; thus, the parallel with the 'king and the beggar-maid' is not valid.
Pygmalion is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera Le devin du village. Though now rarely performed, it was one of the first ever melodramas (that is, a play consisting of pantomime gestures and the spoken word, both with a musical accompaniment).
Eliza Doolittle is a fictional character and the protagonist in George Bernard Shaw's play Pygmalion (1913) and its 1956 musical adaptation, My Fair Lady. Eliza (from Lisson Grove , London ) is a Cockney flower seller, who comes to Professor Henry Higgins asking for elocution lessons, after a chance encounter at Covent Garden .
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
It contained a narration of the story of the mythical Pygmalion, of Cyprus, who fashioned a cult image of the Greek goddess Aphrodite that came to life. Ovid depended on the account by Philostephanus for his dramatised and expanded version in Metamorphoses, through which the Pygmalion myth [4] was transmitted to the medieval and modern world. [5]