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Silverpoint, red chalk, and traces of black pencil on white-coated paper. 29.3 × 20.1 cm: Jakob Meyer [237] c. 1525 – c. 1526: Black and coloured chalks with lead point on light green background. 38.3 × 27.5 cm: Preparatory for the Double Portrait of Jakob Meyer zum Hasen and Dorothea Kannengießer: Jakob Meyer [238] 1516
A design by Holbein for a cap-badge with John the Baptist survives in the British Museum. [ 7 ] [ 8 ] Around his neck is a gold chain from which hangs a medallion or watchcase of openwork . The attitude , the glove on the left hand and the half-covered medallion on the chain are reminiscent of Titian ’s L'Homme au Gant in the Louvre . [ 8 ]
Self-portrait, c. 1542–43.Coloured chalks and pen, heightened with gold, Uffizi Gallery, Florence. This list of paintings by Hans Holbein the Younger contains a selection of the artist's best-known paintings, as well as a few copies and derivatives of his art, some of which relate to lost works.
Hans Holbein the Younger (UK: / ˈ h ɒ l b aɪ n / HOL-byne, [2] US: / ˈ h oʊ l b aɪ n, ˈ h ɔː l-/ HOHL-byne, HAWL-; [3] [4] [5] German: Hans Holbein der Jüngere; c. 1497 [6] – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. [7]
He stated that a dated parallel for costume (a short-lived style), notably the distinctive cut of the sleeves, is Holbein's Christina of Denmark of 1538. [15] John Rowlands agreed that stylistically the portrait belonged to the period c. 1535–40, but considered that the French Hood "suggests a date towards its end."
Hans Holbein the Elder's Basilica of St. Paul, with portraits of the artist and his sons. Holbein painted richly colored religious works. His later paintings show how he pioneered and led the transformation of German art from the (Late) International Gothic to the Renaissance style. In addition to the altar paintings that are his principal ...