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For artists with more than one type of work in the collection, or for works by artists not listed here, see the Artic website or the corresponding Wikimedia Commons category. Of artists listed, less than 10% are women. For the complete list of artists and their artworks in the collection, see the website.
Lee Godie (born Jamot Emily Godee; September 1, 1908 – March 2, 1994 [1]) was an American self-taught artist who was active in Chicago during the late 1960s until around the early 1990s. She was a prolific artist [ 2 ] who was known for her paintings and modified photos which are shown in galleries and museums such as the Hayward Gallery in ...
"Neither a movement nor a style, Hairy Who was simply the name six Chicago artists chose when they decided to join forces and exhibit together in the mid-1960s." [8]The Hairy Who was a "group" made up of six School of the Art Institute graduates, mentored by Ray Yoshida [9] and Whitney Halstead.: [2] Jim Falconer, Art Green, Gladys Nilsson, Jim Nutt, Karl Wirsum, and Suellen Rocca.
Christina Ramberg (21 August 1946 – 1995) was an American painter associated with the Chicago Imagists, a group of representational artists who attended the School of the Art Institute of Chicago in the late 1960s.
Richard Wetzel (born October 23, 1943) is an American artist. He is best known for his oil paintings but also has exhibited collages and sculpture. In 1969 and 1970, Wetzel exhibited with the Chicago Imagists, a grouping of Chicago artists who were ascendant in the late 1960s and early 1970s.
In the early 1960s, Bob Chase began developing a plan for a fine art gallery. [5] He had recently graduated from the University of Wisconsin–Madison [6] [5] and convinced his father, Merrill Chase, who owned a portrait photography business, [1] to join him in opening a fine art gallery that would focus on emerging artists, mid-career artists, and works of art on paper by masters.
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Untitled (1960) sold at auction for $11.9 million in 2014, a then record for a work by a female artist. Mitchell's artwork has been extremely commercially successful, both during her lifetime and after her death. Mitchell earned over $30,000 in art sales between 1960 and 1962, while still in the middle of her career.