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Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
Styles, John: The Dress of the People: Everyday Fashion in Eighteenth-Century England, New Haven, Yale University Press, 2007, ISBN 9780300121193; Takeda, Sharon Sadako, and Kaye Durland Spilker, Fashioning Fashion: European Dress in Detail, 1700–1915, LACMA/Prestel USA (2010), ISBN 9783791350622; Tortora, Phyllis G. and Keith Eubank.
The Infanta Margarita of Spain is shown here wearing a mourning dress of unrelieved black with long sleeves, cloak and hood. She wears her hair parted to one side and severely bound in braids, 1666. Two English ladies wear dresses with short sleeves over chemise sleeves gathered into three puffs. The long bodice front with curving bands of ...
Overview of fashion from The New Student's Reference Work, 1914. Summary of women's fashion silhouet changes, 1794–1887. The following is a chronological list of articles covering the history of Western fashion—the story of the changing fashions in clothing in countries under influence of the Western worldâ —from the 5th century to the present.
France or England, c.1770s. M.67.8.74. The sack-back gown or robe à la française was a women's fashion of 18th century Europe. [1] At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the ...
The fashion spread to France and from there to the rest of Europe after c. 1718–1719, when some Spanish dresses had been displayed in Paris. [1] It is also suggested that the pannier originated in Germany or England, having been around since 1710 in England, and appearing in the French court in the last years of Louis XIV’s reign.
The term "macaroni" pejoratively referred to a man who "exceeded the ordinary bounds of fashion" [2] in terms of high-end clothing, fastidious eating, and gambling. He mixed Continental affectations with his British nature, like a practitioner of macaronic verse (which mixed English and Latin to comic effect), laying himself open to satire.
Previously, predominantly undertaken by tailors, a trade heavily made up by men, the making of outer-garments only involved women in a less formalised manner. [2] As the mantua began life as a form of "undress" garment, the making of mantua was taken up by seamstresses in their professional capacity as makers of linen apparel, usually worn as undergarments. [2]
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