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Russian World War 1 propaganda posters generally showed the enemies as demonic, one example showing Kaiser Wilhelm as a devil figure. [13] They would all depict the war as ‘patriotic’, with one poster saying that the war was Russia’s second ‘patriotic war’, the first being against Napoleon.
Kotlowski, Dean J., "Selling America to the World: The Office of War Information's The Town (1945) and the American Scene Series," Australasian Journal of American Studies 35 (July 2016), 79–101. Mastrangelo, Lisa. "World War I, public intellectuals, and the Four Minute Men: Convergent ideals of public speaking and civic participation."
The U.S. entered the war in April 1917, which achieved Wellington House's primary objective. The DOI increased its production of war films, but did not know what would play most effectively in the U.S., leading to nearly every British war film being sent to the States thereafter, including The Tanks in Action at the Battle of the Ancre and The Retreat of the Germans at the Battle of Arras ...
The World War and American Isolation, 1914–1917 (1959) ... Peterson, H. C. Propaganda for War: The Campaign Against American Neutrality, 1914–1917.
“The Conundrum of American Power in the Age of World War I,” Modern American History (2019): 1-21. Hannigan, Robert E. The Great War and American Foreign Policy, 1914–24 (U of Pennsylvania Press, 2017) Kang, Sung Won, and Hugh Rockoff. "Capitalizing patriotism: the Liberty loans of World War I." Financial History Review 22.1 (2015): 45 ...
In 1917–1918, over 750,000 speeches were given in 5,200 communities by over 75,000 accomplished orators, reaching about 400 million listeners. [1] The topics dealt with the American war effort in the First World War and were presented during the four minutes between reels changing in movie theaters across the country. The speeches were made ...
Atrocity propaganda was widespread during World War I, when it was used by all belligerents, playing a major role in creating the wave of patriotism that characterised the early stages of the war. [21] British propaganda is regarded as having made the most extensive use of fictitious atrocities to promote the war effort. [21]
The Pulitzer Prize-winning writer and historian published an 8,000-word piece in The Atlantic this week, warning about “the new propaganda war” and the dangers disinformation poses to the free ...