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Another song with a reportedly secret meaning is "Now Let Me Fly" [3] which references the biblical story of Ezekiel's Wheels. [4] The song talks mostly of a promised land. This song might have boosted the morale and spirit of the slaves, giving them hope that there was a place waiting that was better than where they were.
These double meanings allowed enslaved people to safely communicate messages of hope, freedom, and specific plans for escape to one another under the watchful gaze of their captors. The double meanings encoded in “Swing Low, Sweet Chariot” are believed to be the Jordan River as representative of the first step to freedom from slavery ...
Slave Songs of the United States was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, [1] [2] collection of spirituals to be published. The collectors of the songs were Northern abolitionists William Francis Allen, Lucy McKim Garrison, and Charles Pickard Ware. [3]
The song was first formally published in the 1870s for the Fisk University Jubilee Singers after being written by Wallace Willis, a Native American slave before the American Civil War.
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"Steal Away" is a standard Gospel song, and is found in the hymnals of many Protestant denominations. An arrangement of the song is included in the oratorio A Child of Our Time, first performed in 1944, by the classical composer Michael Tippett (1908–98). Many recordings of the song have been made, including versions by Pat Boone [6] and Nat ...
The tune known as "Roll, Jordan, Roll" may have its origins in the hymn "There is a Land of Pure Delight" written by Isaac Watts [1] in the 18th century. It was introduced to the United States by the early 19th century, in states such as Kentucky and Virginia, as part of the Second Great Awakening, and often sung at camp meetings.
Today, “Strange Fruit” by Billie Holiday, “A Change is Gonna Come,” Sam Cooke and “What’s Going On,” Marvin Gaye remain relevant to Black America.