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His poems saw print in Pambata, a magazine for Filipino children; Sipag Pinoy, a publication of the Department of Labor and Employment (DOLE); and Liwayway, the oldest existing Tagalog weekly magazine in the Philippines. His essays saw print in The Modern Teacher, a magazine for Filipino teachers. He is sometimes referred to as "Aurora's ...
Frederic Ogden Nash (August 19, 1902 – May 19, 1971) was an American poet well known for his light verse, of which he wrote more than 500 pieces.With his unconventional rhyming schemes, he was declared by The New York Times to be the country's best-known producer of humorous poetry.
It is also known as videopoetry, video-visual poetry, poetronica, poetry video, media poetry, or Cin(E)-Poetry depending on the length and content of the video work and the techniques employed (e.g. digital technology) in its creation. Video poetry is a wide-ranging category where very different typologies of works converge.
The reality is that some 58% of Americans have their working years cut short and retire before they want to, whether due to personal health, employer discretion, or family-related reasons ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 16 January 2025. British children's author and poet (born 1946) For other people named Michael Rosen, see Michael Rosen (disambiguation). Michael Rosen Rosen in 2022 Born Michael Wayne Rosen (1946-05-07) 7 May 1946 (age 78) Harrow, Middlesex, England Occupation Author, broadcaster, poet, activist ...
Reflections on Having Left a Place of Retirement is a poem written by English poet Samuel Taylor Coleridge in 1796. Like his earlier poem The Eolian Harp , it discusses Coleridge's understanding of nature and his married life, which was suffering from problems that developed after the previous poem.
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The poem is written in the voice of an old woman in a nursing home who is reflecting upon her life. Crabbit is Scots for "bad-tempered" or "grumpy". The poem appeared in the Nursing Mirror in December 1972 without attribution. Phyllis McCormack explained in a letter to the journal that she wrote the poem in 1966 for her hospital newsletter. [4]