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1950s crimes in New York City (2 P) M. 1950s in Manhattan (66 P) Q. 1950s in Queens (4 P) S. 1950s in sports in New York City (10 C) Pages in category "1950s in New ...
The Killer That Stalked New York (also known as Frightened City) is a 1950 American film noir directed by Earl McEvoy and starring Evelyn Keyes, Charles Korvin and William Bishop. The film, shot on location and in a semi-documentary style, is about diamond smugglers who unknowingly start a smallpox outbreak in the New York City of 1947.
Pages in category "1950 in New York City" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. 0–9.
In the history of motion pictures in the United States, many films have been set in New York City, or a fictionalized version thereof. The following is a list of films and documentaries set in New York, however the list includes a number of films which only have a tenuous connection to the city. The list is sorted by the year the film was released.
January 13 – Three weeks after its world premiere at the Paramount and Rivoli theatres in New York City, Cecil B. DeMille's Samson and Delilah opens in Los Angeles. The film is a massive commercial success and wins the awards for Best Art Direction and Best Costume Design at the 23rd Academy Awards.
The Sleeping City is a 1950 American film noir crime film in semidocumentary style that was set in and filmed at New York's Bellevue Hospital. Directed by George Sherman, it stars Richard Conte and Coleen Gray. [1] The film is notable for its photography, and was one of the few motion pictures of the era to be shot entirely on location.
Annie Get Your Gun is a 1950 American musical Technicolor comedy film loosely based on the life of sharpshooter Annie Oakley.The Metro-Goldwyn-Mayer release, with music and lyrics by Irving Berlin and a screenplay by Sidney Sheldon based on the 1946 stage musical of the same name, was directed by George Sidney.
Where the Sidewalk Ends is a 1950 American film noir directed and produced by Otto Preminger. [2] [3] The screenplay for the film was written by Ben Hecht, and adapted by Robert E. Kent, Frank P. Rosenberg, and Victor Trivas.