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Pygmalion Adoring His Statue by Jean Raoux, 1717. In Greek mythology, Pygmalion (/ p ɪ ɡ ˈ m eɪ l i ən /; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) was a legendary figure of Cyprus. He is most familiar from Ovid's narrative poem Metamorphoses, in which Pygmalion was a sculptor who fell in love with a ...
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
Pygmalion (Ancient Greek: Πυγμαλίων Pugmaliōn; Latin: Pygmalion) was king of Tyre [1] from 831 to 785 BCE and a son of King Mattan I (840–832 BC).. During Pygmalion's reign, Tyre seems to have shifted the heart of its trading empire from the Middle East to the Mediterranean, as can be judged from the building of new colonies including Kition on Cyprus, Sardinia (see Nora Stone ...
In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871.
Pygmalion and Galatea (French: Pygmalion et Galatée) is an 1890 painting by the French artist Jean-Léon Gérôme. [1] The motif is taken from Ovid 's Metamorphoses and depicts the sculptor Pygmalion kissing his statue Galatea at the moment the goddess Aphrodite brings her to life.
The Pygmalion effect is a psychological phenomenon in which high expectations lead to improved performance in a given area and low expectations lead to worse performance. [1] It is named after the Greek myth of Pygmalion , the sculptor who fell so much in love with the perfectly beautiful statue he created that the statue came to life.
Pygmalion is seen here in his studio, pondering his lonely life, having chosen to remain celibate in disgust at what he saw as the debauched lifestyles of the local women. The statues behind him (in emulation of the Three Graces) echo the curious women peering in through his doorway. All five seem fluid, languorous and unself-conscious.
The timeline of human evolution outlines the major events in the evolutionary lineage of the modern human species, Homo sapiens, throughout the history of life, beginning some 4 billion years ago down to recent evolution within H. sapiens during and since the Last Glacial Period.