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Auto-Tune is audio processor software released on September 19, 1997, by the American company Antares Audio Technologies. [ 1 ] [ 4 ] It uses a proprietary device to measure and correct pitch in music. [ 5 ]
Two machines were used for the vocal editing in "Hollywood". Madonna preferred the Antares Auto-Tune plug in, while Ahmadzaï chose an AMS pitch shifter. [8] Madonna wanted Auto-Tune because she wanted "Hollywood" to have a more dance-like feel to it, although Ahmadzaï was against it. [8] Describing the recording of the vocals, Ahmadzaï said:
"D.O.A. (Death of Auto-Tune)" is a song written by American rapper Jay-Z and produced by No I.D. The song was released as a digital download on June 23, 2009, and as the first single from Jay-Z's 11th studio album, The Blueprint 3 .
Dubbed FruityLoops 1.0, the program didn't fit with Image-Line's other product lines of the time. However, the demo version released in December 1997 became so popular that the number of downloads quickly overwhelmed the Image-Line servers. [6] To gather income to support their servers, Image-Line had Dambrin develop an EJay clone called ...
The calls are coming from all over the place." A little over a month later, they disconnected the number and the phone became silent. [14] In some cases, the number was picked up by commercial businesses or acquired for use in radio promotions. In 1982, WLS radio obtained the number from a Chicago woman, receiving 22,000 calls in four days. [8]
A notable example of Auto-Tune-based pitch correction is the Cher effect, so named because producer Mark Taylor originated the effect in her 1998 hit song "Believe". [4] The effect has been used by composer John Boswell for his Symphony of Science and Symphony of Bang Goes The Theory (a BBC science show) mash-ups.
In Paris, Ahmadzaï worked obsessively to complete the recording of "Impressive Instant", applying his characteristic sound mangling. He used the Antares Auto-Tune plug-in set for the pitch correction. The audio processor kept the characteristic of Madonna's vocals, and she sang a little out of tune and vibrato. [5]
Madonna preferred the Antares Auto-Tune plug in, while Ahmadzaï chose an AMS pitch shifter. [11] Madonna chose Auto-Tune because she wanted "Nobody Knows Me" to have a more dance-like feel to it, although Ahmadzaï was against it. [11] [12] "Nobody Knows Me" has vocoder effects, spacey synths, bubbly bass. [13]