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"Hello Good Morning" is a song by American musical trio Diddy – Dirty Money, released on March 30, 2010 as the second single from their debut studio album, Last Train to Paris. The electronic dance song incorporates an acid squelch section in the middle eight , and was written by Marcella Araica , Richard "Rico Love" Butler , Clifford "T.I ...
The album's second single, "Hello Good Morning" features T.I., was released on March 30, 2010, and spawned several official remixes including versions featuring Rick Ross & Nicki Minaj, Tinchy Stryder & Tinie Tempah (UK Remix), Rick Ross & T.I. and a Grime mix with Skepta. [37]
Lamb compared the song to Diddy's early releases, saying that "'Coming Home' [welcomes] Diddy back to the upper ranks of pop-oriented hip hop artists". [2] Additionally, Diddy told MTV that although the track had autobiographical elements, it was part of the album's "conceptual love story narrated by his character". [8]
Diddy – Dirty Money was an American musical trio, composed of R&B singers Dawn Richard and Kalenna Harper, and rapper Sean Combs. The group, formed and introduced by the latter in July 2009, [ 1 ] refers to their billing with Combs, while the "Dirty Money" act refers solely to Richard and Harper.
Getty Images (3) Sean “Diddy” Combs made his music industry debut in the early 1990s and has racked up a long list of collaborators and famous friends. Over the years, Diddy used his power in ...
Cuba Gooding Jr. and Sean “Diddy” Combs Getty Images; WireImage Cuba Gooding Jr. has broken his silence on Sean “Diddy” Combs’ ongoing legal battle and his alleged involvement. “That ...
Sean "Diddy" Combs could be "fighting for his life" amid federal and sex crimes charges, according to legal experts.. New York police on Sept. 16 arrested the embattled media mogul, who has spent ...
"Tell Me" received generally positive reviews from music critics. Andy Kellman of AllMusic highlighted this song on the Press Play album, and considered Aguilera's appearance as "noteworthy", [6] a sentiment also shared by The Guardian's Alexis Petridis, [7] and Chris Evans of Blogcritics, who stated that "Christina's catchy hook truly makes the song". [8]