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Title Director Cast Genre Note 20,000 Eyes: Jack Leewood: Gene Nelson, Merry Anders: Thriller: 20th Century Fox: The Absent-Minded Professor: Robert Stevenson: Fred ...
This is a list of films which placed number one at the weekly box office in the United States during 1961 per Variety's weekly National boxoffice survey. The results are based on a sample of 20-25 key cities and therefore, any box office amounts quoted may not be the total that the film grossed nationally in the week.
May 13 – Legendary actor Gary Cooper dies at the age of 60 in Los Angeles from colon and prostate cancer. Best known for his appearances in classic films such as Wings, Mr. Deeds Goes to Town, Sergeant York, The Pride of the Yankees and High Noon, Cooper was one of the biggest stars of Hollywood's Golden Age and won two Academy Awards for Best Actor.
The Big Show (1961 film) The Big Wave (film) Bitter End of a Sweet Night; Black City (film) Black Gravel; The Black Monocle; Black Silk; Black Tights; Blast of Silence; Blind Justice (1961 film) Blood Feud (1961 film) Bloodlust! Blue Hawaii; Blueprint for Robbery; Bomb in the High Street; A Bomb Was Stolen; Bootleggers (1961 film) The Boy and ...
1961 United States: 1962 ... List of films with the most weekends at number one This page was last edited on 16 January 2025, at 23: ...
Voyage to the Bottom of the Sea is a 1961 American science fiction disaster film, produced and directed by Irwin Allen, and starring Walter Pidgeon and Robert Sterling. The supporting cast includes Peter Lorre, Joan Fontaine, Barbara Eden, Michael Ansara, and Frankie Avalon. The film's storyline was written by Irwin Allen and Charles Bennett.
Pages in category "1961 in film" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. ...
Three of the four highest-grossing films, including Avatar at the top, were written and directed by James Cameron.. With a worldwide box-office gross of over $2.9 billion, Avatar is proclaimed to be the "highest-grossing" film, but such claims usually refer to theatrical revenues only and do not take into account home video and television income, which can form a significant portion of a film ...