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A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals.
Mixing consoles can be large and intimidating due to the exceptional number of controls. However, because many of these controls are duplicated (e.g. per input channel), much of the console can be learned by studying one small part of it. The controls on a mixing console will typically fall into one of two categories: processing and configuration.
In fact, many of the digital mixer's functions are easier to operate from a computer screen than the actual mixing console. Digidesign's Venue Profile mixer on location at a corporate event. This mixer allows plugins from third-party vendors. Another advantage of DMCs is the abundance of control features that it provides for each input channel.
A monitor engineer and console at an outdoor event. Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass ...
The front-of-house (FOH) mixing console is typically located where the operator can see the action on stage and hear what the audience hears. For broadcast and recording applications, the mixing console may be placed within an enclosed booth or outside in an OB van. Large music productions often use a separate stage monitor mixing console which ...
A DJ mixer is a type of audio mixing console used by disc jockeys (DJs) to control and manipulate multiple audio signals. [1] Some DJs use the mixer to make seamless transitions from one song to another when they are playing records at a dance club.
A mixing console in a cable news control room. During production dialogue recording of actors is done by a person variously known as location sound mixer, production sound or some similar designation. That person is a department head with a crew consisting of a boom operator and sometimes a cable person.
The SL 4000 B Series, introduced in 1976, revolutionized the recording industry by combining the in-line mixing console with a computer which provided fader automation and programmable tape transport auto-location functionality., [4] The B Series was in production for four years, during which a total of six B Series consoles were built and sold, [5] the first B Series console purchased by ...