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Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance (2007), by Andrew David Irvine, is a contemporary play that portrays Socrates as philosopher and man, based upon The Clouds (423 BC), by Aristophanes, and three Socratic dialogues, by Plato, the Apology of Socrates (the ...
This hypothesis requires skepticism about what is usually regarded as the only fairly certain result of Platonic stylometry, Plato's marked tendency to avoid hiatus in the six dialogues widely believed to have been composed in the period to which Denyer assigns First Alcibiades (Timaeus, Critias, Sophist, Statesman, Philebus, and Laws).
The Menexenus of Plato's dialogue appears also in the Lysis, where he is identified as the "son of Demophon", [1] as well as the Phaedo. The Menexenus consists mainly of a lengthy funeral oration , referencing the one given by Pericles in Thucydides ' account of the Peloponnesian War .
The Greek philosophers Plato, Isocrates, and Aristotle described apologia as an oratory to defend positions or actions particularly in the sense of a legal defense. Socrates believed an apology to be a well-thought justification of accusations made. [6] Socrates represents this act of defending oneself in Plato's Apology. Socrates justified the ...
(Plato, Apology 22d, translated by Harold North Fowler, 1966). [1] It is also sometimes called the Socratic paradox , although this name is often instead used to refer to other seemingly paradoxical claims made by Socrates in Plato's dialogues (most notably, Socratic intellectualism and the Socratic fallacy ).
In Plato's Ion (/ ˈ aɪ ɒ n /; Ancient Greek: Ἴων) Socrates discusses with the titular character, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession. It is one of the shortest of Plato ...
Plato presents him as setting himself up as an expert on Homeric criticism, and over-reaching his expertise. Hippias is exactly the sort of man Socrates complains about in the Apology, a man who develops expertise in one or more areas, and then imagines he knows everything. Eudicus, the son of Apemantus: Hippias' host in Athens. He admires ...
The Charmides (/ ˈ k ɑːr m ɪ d iː z /; Ancient Greek: Χαρμίδης) is a dialogue of Plato, in which Socrates engages a handsome and popular boy named Charmides in a conversation about the meaning of sophrosyne, a Greek word usually translated into English as "temperance," "self-control," or "restraint." When the boy is unable to ...