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The Hypodorian mode, a musical term literally meaning 'below Dorian ', derives its name from a tonos or octave species of ancient Greece which, in its diatonic genus, is built from a tetrachord consisting (in rising direction) of a semitone followed by two whole tones. The rising scale for the octave is a single tone followed by two conjoint ...
The same scalar pattern, but starting a fourth or fifth below the mode final D, and extending a fifth above (or a sixth, terminating on B ♭), was numbered as mode 2 in the medieval system. This was the plagal mode corresponding to the authentic Dorian, and was called the Hypodorian mode. [6]
According to the interpretation of at least two modern authorities, in the Aristoxenian tonoi the Hypodorian is the lowest, and the Mixolydian is next-to-highest: the reverse of the case of the octave species. [18] [24] The nominal base pitches are as follows (in descending order, after Mathiesen; Solomon uses the octave between A and a instead):
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
A musical scale is a series of pitches in a distinct order. The concept of "mode" in Western music theory has three successive stages: in Gregorian chant theory, in Renaissance polyphonic theory, and in tonal harmonic music of the common practice period. In all three contexts, "mode" incorporates the idea of the diatonic scale, but differs from ...
Hence, the hypodorian octave referred the tonus secundus and was constructed A—D—a, and the dorian as "tonus primus" D—a—d, both tones of the protus used D as finalis, the hypophrygian octave species was B—E—b and was the ambitus of the tonus quartus, and the phrygian octave species E—b—e was related to the tonus tertius and its ...
The Hypophrygian (deuterus plagalis) mode, literally meaning "below Phrygian (plagal second)", is a musical mode or diatonic scale in medieval chant theory, the fourth mode of church music. This mode is the plagal counterpart of the authentic third mode, which was called Phrygian. In the Middle Ages and Renaissance this mode was described in ...
Ukrainian Dorian scale. In music, the Ukrainian Dorian scale (or the Dorian ♯4 scale) is a modified minor scale with raised 4th and 6th, and lowered 7th degrees, often with a variable 4th degree. It has traditionally been common in the music of Eastern Europe, Southeast Europe, and the Mediterranean including Jewish, Greek, Ukrainian, and ...