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Apotropaic marks, also called 'witch marks' or 'anti-witch marks' in Europe, are symbols or patterns scratched on the walls, beams and thresholds of buildings to protect them from witchcraft or evil spirits. They have many forms; in Britain they are often flower-like patterns of overlapping circles. [24] such as hexafoils.
The alchemical symbol for the sun and various sun gods. Also the alchemical symbol for gold which is the metal represented by the Sun which is the astral counterpart. Cross of Saint Peter (Petrine Cross) Peter requested to be crucified upside down, as he felt unworthy to die in the same manner as Christ. Used as a symbol of Saint Peter. A very ...
In demonology, sigils are pictorial signatures attributed to demons, angels, or other beings. In the ceremonial magic of the Middle Ages, sigils were used in the summoning of these beings and were the pictorial equivalent to their true name.
Fulu for placement above the primary entrance of one's home, intended to protect against evil. Fulu (traditional Chinese: 符籙; simplified Chinese: 符箓; pinyin: fúlù) are Taoist magic symbols and incantations, [1] [2] translatable into English as 'talismanic script', [a] which are written or painted on talismans by Taoist practitioners.
Such ofuda, also called shinsatsu (神札), go-shinsatsu (御神札) or shinpu (神符), are often placed on household Shinto altars and revered both as a symbol of the shrine and its deity (or deities) – containing the kami 's essence or power by virtue of its consecration – and a medium through which the kami in question can be accessed ...
A sigil (/ ˈ s ɪ dʒ ɪ l /) [1] is a type of symbol used in magic. The term usually refers to a pictorial signature of a spirit (such as an angel, demon, or deity). In modern usage, especially in the context of chaos magic, a sigil refers to a symbolic representation of the practitioner's desired outcome.
Mandaic-language incantation bowl. Incantation bowls are a form of protective magic found in what is now Iraq and Iran.Produced in the Middle East during late antiquity from the sixth to eighth centuries, particularly in Upper Mesopotamia and Syria, [1] the bowls were usually inscribed in a spiral, beginning from the rim and moving toward the center.
The sounds of bells were believed to keep away evil spirits; compare the apotropaic role of the bell in the "bell, book, and candle" ritual of the earlier Catholic Church. [2] [7] It has also been surmised that oscilla hung on hooks along colonnaded porticoes may have comparable evil-warding intents. [8]