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  2. First-surface mirror - Wikipedia

    en.wikipedia.org/wiki/First-surface_mirror

    A first-surface mirror or front-surface mirror (also commonly abbreviated FS mirror or FSM) is a mirror with the reflective surface being above a backing, as opposed to the conventional, second-surface mirror with the reflective surface behind a transparent substrate such as glass or acrylic.

  3. Mirror - Wikipedia

    en.wikipedia.org/wiki/Mirror

    A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...

  4. First surface mirrors - Wikipedia

    en.wikipedia.org/?title=First_surface_mirrors&...

    Pages for logged out editors learn more. Contributions; Talk; First surface mirrors

  5. Silvering - Wikipedia

    en.wikipedia.org/wiki/Silvering

    When glass mirrors first gained widespread usage in Europe during the 16th century, most were silvered with an amalgam of tin and mercury, [6] In 1835 German chemist Justus von Liebig developed a process for depositing silver on the rear surface of a piece of glass; this technique gained wide acceptance after Liebig improved it in 1856.

  6. Anti-reflective coating - Wikipedia

    en.wikipedia.org/wiki/Anti-reflective_coating

    For this type of coating a normally incident beam I, when reflected from the second interface, will travel exactly half its own wavelength further than the beam reflected from the first surface, leading to destructive interference. This is also true for thicker coating layers (3λ/4, 5λ/4, etc.), however the anti-reflective performance is ...

  7. Schüfftan process - Wikipedia

    en.wikipedia.org/wiki/Schüfftan_process

    Hitchcock used the Schüfftan process for scenes that took place in the British Museum in his film Blackmail. In the same film, Schüfftan used a variation of this process so that the miniature set (or drawing) was shown on the reflective part of the mirror and the actors were filmed through the transparent part. [citation needed]