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Choral Public Domain Library: Sheet music archive of choral and vocal music in the public domain or otherwise freely available for printing and performing 36,869 [41] Yes International Music Score Library Project: Music scores and parts, mostly scanned from publications now in the public domain; some recordings. 42,000 (370,000 scores)
19th-century, American, minstrel music, popular music, war songs: 29,000 American popular music spanning the years 1780–1980. Johns Hopkins University: Library and Archives Canada: Sheet Music From Canada's Past: Canadian, popular music: 20,000 Patriotic and parlour songs, piano pieces, sacred music, and novelty numbers published from before ...
A music library contains music-related materials for patron use. Collections may also include non-print materials, such as digitized music scores or audio recordings . Use of such materials may be limited to specific patron groups, especially in private academic institutions .
"The Mama Doll Song" Nat Simon: Charles Tobias: 1954 "Mama from the Train" Irving Gordon: 1956 "Milwaukee Polka" 1953 "Mister And Mississippi" Irving Gordon: 1951 "Mockin' Bird Hill" Vaughn Horton: 1951 "Mom and Dad's Waltz" 1961 "Money, Marbles, and Chalk" Garner "Pop" Eckler 1949 "Most People Get Married" Leon Carr: Earl Shuman: 1962 "Music ...
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The songs are listed in the index by accession number, rather than (for example) by subject matter or in order of importance. Some well-known songs have low Roud numbers (for example, many of the Child Ballads), but others have high ones. Some of the songs were also included in the collection Jacobite Reliques by Scottish poet and novelist ...
From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score. The score image in the background was taken from the beginning of the first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice, Italy in 1501 by Ottaviano Petrucci, the library's namesake. [5] [non-primary source needed]
A popular version of this song was played by Delta blues musician Willie Brown and was recorded by Alan Lomax for the Library of Congress in 1942. Many years later, Lomax wrote in his book, Land Where The Blues Began, about the time when Brown sang "Ragged & Dirty", "William Brown began to sing in his sweet, true country voice, poking in delicate guitar passages at every pause, like the guitar ...