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Aechmea fasciata, while not lethally poisonous, is listed in the FDA Poisonous Plant Database under the section "skin-irritating substances in plants". As bromeliads naturally produce the enzyme and alkaloid bromelain—commonly extracted from pineapples (also a bromeliad) as a supplement and digestive enzyme—, skin contact with the plant's sharp, serrated leaf margins is known to cause ...
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
In 1970 a small fragment of a blue and white bowl, again dated to the 11th century, was also excavated in the province of Zhejiang. In 1975, shards decorated with underglaze blue were excavated at a kiln site in Jiangxi and, in the same year, an underglaze blue and white urn was excavated from a tomb dated to 1319, in the province of Jiangsu.
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
It typically has a painted design of small, formalized flowers made up of round dot petals painted in white slip on the natural red of the clay, then fired with a clear glaze. The flowers may be limited to a band or applied lavishly over the entire piece. The latter is frequently done with casseroles and flower pots.
Architect and landscape designer Calvert Vaux designed the memorial urn, which Robert Eberhard Launitz sculpted. [2] The urn was located and dedicated on the National Mall in September 1856, where it stood near the Smithsonian's National Museum of Natural History until 1965, when it was moved to the east entrance of the Smithsonian Institution Building (the "Castle").