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"So Long, Farewell" is a song from Rodgers and Hammerstein’s 1959 musical, The Sound of Music. It was included in the original Broadway run and was first performed by the Von Trapp children, played by Kathy Dunn, David Gress, Evanna Lien, Mary Susan Locke, Lauri Peters, Marilyn Rogers, Joseph Stewart, and Frances Underhill.
VERSE II: Farewell, Ladies! Farewell, ladies! Farewell, ladies! We're going to leave you now. CHORUS VERSE III: Sweet dreams, ladies! Sweet dreams, ladies! Sweet dreams, ladies! We're going to leave you now. CHORUS Note: the "Merrily We Roll Along" chorus has the same melody as "Mary Had A Little Lamb".
Farewell to you, my own true love; I am going far away. I am bound for Californ-i-a, And I know that I'll return someday. So fare thee well, my own true love, And when I return, united we will be. It's not the leavin' of Liverpool that grieves me, But, my darling, when I think of thee. [13] The opening lyrics in Dylan's song are very similar:
The lyrics of "So Long, Frank Lloyd Wright" reference the architect, Frank Lloyd Wright, who died in 1959. [4] Art Garfunkel had studied to become an architect. [4] [5] [6] While Garfunkel sings the song's fadeout to the words "so long," producer and engineer Roy Halee is heard on the recording calling out "So long already Artie!"
Her first verse of “So Long, London,” continues this story, capturing her feelings as she realized they wouldn’t make it. Timeline-wise, Jack Antonoff revealed Swift wrote “You’re Losing ...
Hammerstein asked if he could incorporate their dialogue into the song, and they allowed him to do so because: "If you tell a story in a song, it's so much better." [2] When writing the lyric, Hammerstein knew he needed adjectives for the nuns to describe Maria.
So fill to me the parting glass, Good night and joy be with you all. Chorus: Be with you all, be with you all Good night and joy be with you all So fill to me the parting glass, Good night and joy be with you all. All the comrades that e’er I had, They’re sorry for my going away, All the sweethearts e’er I had, They’d wish me one day ...
Some music teachers teach their students relative pitch by having them associate each possible interval with the first interval of a popular song. [1] Such songs are known as "reference songs". [2]