Ad
related to: 12 bar blues evolution
Search results
Results From The WOW.Com Content Network
As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
The standard 12-bar blues form is noted in uncorroborated oral histories as appearing communities throughout the region along the lower Mississippi River during the decade of the 1900s (and performed in New Orleans at least since 1908). One of these early sites of blues evolution was along Beale Street in Memphis, Tennessee.
Blues musical styles, forms (12-bar blues), melodies, and the blues scale have influenced many other genres of music, such as rock and roll, jazz, and popular music. [129] Prominent jazz, folk or rock performers, such as Louis Armstrong, Duke Ellington, Miles Davis, and Bob Dylan have performed significant blues recordings.
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's "Blues for Alice".
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
"In a blues in A, the turnaround will consist of the chords E 7, D 7, A 7, E 7 [V–IV–I–V]." [ 3 ] [ 4 ] V may be used in the last measure rather than I since, "nearly all blues tunes have more than one chorus (occurrence of the 12-bar progression ), the turnaround (last four bars) usually ends on V, which makes us feel like we need to ...
"Boom Boom" is a song written by American blues singer and guitarist John Lee Hooker and recorded October 26, 1961. Although it became a blues standard, [3] music critic Charles Shaar Murray calls it "the greatest pop song he ever wrote". [4] "Boom Boom" was both an American R&B and pop chart success in 1962 and a UK top-twenty hit in 1992.
The sixteen-bar blues can be a variation on the ... the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12 ...