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Ma is a 2019 American psychological horror film directed by Tate Taylor and written by Scotty Landes. It stars Octavia Spencer , Juliette Lewis , Diana Silvers , Corey Fogelmanis, Gianni Paolo , McKaley Miller and Luke Evans and follows a group of teenagers who befriend a lonely middle-aged woman.
In 2013, the MPA ratings were visually redesigned, with the rating displayed on a left panel and the name of the rating shown above it. A larger panel on the right provides a more detailed description of the film's content and an explanation of the rating level is placed on a horizontal bar at the bottom of the rating.
A Serious Man is a 2009 black comedy-drama film [3] written, produced, edited and directed by Joel and Ethan Coen.Set in 1967, [4] the film stars Michael Stuhlbarg as a Minnesotan Jewish man whose life crumbles both professionally and personally, leading him to questions about his faith.
Mama is a 2013 supernatural horror film directed and co-written by Andy Muschietti in his directorial debut and based on his 2008 Argentine short film Mamá.The film stars Jessica Chastain, Nikolaj Coster-Waldau, Megan Charpentier, Isabelle Nélisse, Daniel Kash, and Javier Botet as the title character.
MA (mature audiences) R18 (restricted to adults) The Censorship Office does not define the age for a "mature audience", but its television code—which uses the same ratings—defines a child as "under 15 years".
The Movie) is a 2008 jukebox musical romantic comedy film directed by Phyllida Lloyd and written by Catherine Johnson, based on her book from the 1999 musical of the same name. The film is based on the songs of pop group ABBA , with additional music composed by ABBA member Benny Andersson .
Mother! (stylized as mother!) is a 2017 American psychological horror [4] film written and directed by Darren Aronofsky, and starring Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer, Domhnall Gleeson, Brian Gleeson, and Kristen Wiig.
Or else it's a cross between a 2006 Spike Lee joint and a 1970s-style movie indictment of urban unease." [ 47 ] Roger Ebert of the Chicago Sun-Times criticized the narrative, writing, "Here is a thriller that's curiously reluctant to get to the payoff, and when it does, we see why: we can't accept the motive and method of the bank robbery, we ...