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An example which illustrates the problem might be Liszt's "La Notte", the second piece of the Trois Odes funèbres. Projected 1863 and achieved 1864, "La Notte" is an extended version of the prior piano piece Il penseroso from the second part of the Années de pèlerinage. According to Liszt's remark at the end of the autograph score, "La Notte ...
Bagatelle sans tonalité ("Bagatelle without tonality", S.216a) is a piece for solo piano written by Franz Liszt in 1885. The manuscript bears the title "Fourth Mephisto Waltz" [1] and may have been intended to replace the piece now known as the Fourth Mephisto Waltz when it appeared Liszt would not be able to finish it; the phrase Bagatelle ohne Tonart actually appears as a subtitle on the ...
Franz Liszt, after a painting of 1856, by Wilhelm von Kaulbach. Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding.
Ballade No. 1 in D-flat major, S.170, is a solo piano piece by the Hungarian composer Franz Liszt, composed between 1845 and 1848. In the original edition it contained the title "Le Chant Du Croisé" or "The Chant of the Crusader". [1] A typical performance of the piece lasts about 7 to 8 minutes.
The piano duet version is a straightforward transcription of the orchestral version, while the solo piano version is an independent composition. Liszt dedicated the piece to Karl Tausig, his favourite pupil. [5] A further two piano version, published by Schuberth in 1885, was arranged by Dr. Fritz Stade and later revised by Isidor Philipp.
The galop chromatique was published as a piano solo and also in a version for piano duet . Among 20th century pianists, György Cziffra notably attained enormous audience success with this piece. The galop features various technical difficulties, one of the most significant being the sixteenth-note jumps played by the right hand in bars 85 ...