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Live looping is the recording and playback of a piece of music in real-time [1] using either dedicated hardware devices, called loopers or phrase samplers, or software running on a computer with an audio interface. Musicians can loop with either looping software or loop pedals, which are sold for tabletop and floor-based use.
Loop recording is the process of recording audio continuously to an endless tape (if magnetic tape is used) or to computer memory, or recording video feeds (such as from video surveillance or camera signals) on a video server. [1]
RiffWorks recording software includes loop recording, [2] automatic track creation (24 tracks), 7 guitar-oriented effects and support for amp modeling software. RiffWorks Standard includes four drum options, InstantDrummer, created from studio drum kit recordings (with more content available from Sonoma Wire Work's website.)
A loop can be created by a looper pedal, a device that records the signal from a guitar or other audio source and then plays the recorded passage over and over again. [13] In the early 1990s, dedicated digital devices were invented specifically for use in live looping, i.e. loops that are recorded in front of a live audience. [citation needed]
Unlike Pro Tools, which focuses on multitrack recording, the first version of Live was designed for performing live with loops. [7] It offered sophisticated tools for triggering loops, playing samples and time stretching audio, and was immediately popular with electronic music producers. [7]
A looped tape, capstans, and multiple magnetic heads for multiple echos on a Roland RE-101 Space Echo unit. In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder.
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Frippertronics is a tape looping technique used by English guitarist Robert Fripp. [1] It marked the first real-time tape looping device, evolving from a system developed in the electronic music studios of the early 1960s by composers Terry Riley and Pauline Oliveros and made popular through its use in ambient music by composer Brian Eno, as on his album Discreet Music (1975).