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Mary Lou was one of the first premium tea merchants to insist on providing the harvest date on the seasonal teas offered by their tea company Tea Trekker. [ 2 ] She has been nominated for the James Beard Award for Reference and Scholarship for their co-authored book The Story of Tea: A Cultural History and Drinking Guide , published in 2007 by ...
Tea first appeared publicly in England during the 1650s, where it was introduced through coffeehouses. From there it was introduced to British colonies in America and elsewhere. Tea taxation was a large issue; in Britain tea smuggling thrived until the repeal of tea's tax in 1785. [37]
The Classic of Tea or Tea Classic (simplified Chinese: 茶 经; traditional Chinese: 茶 經; pinyin: chájīng) is the first known monograph on tea in the world, by Chinese writer Lu Yu between 760 CE and 762 CE, during the Tang dynasty. [1]
Tea-weighing station north of Batumi, Russian Empire, before 1915. Tea was first introduced to Western priests and merchants in China during the 16th century, at which time it was termed chá. [13] The earliest European reference to tea, written as chiai, came from Delle navigationi e viaggi written by Venetian Giambattista Ramusio in 1545. [37]
A chapter in the New Book of Tang is Lu Yu's biography. The book recorded Lu Yu's obsession with tea, and he wrote a three-volume book Ch'a Ching about details of tea's origin, the method of cultivating and drinking tea, and the tools of tea drinking. The tea sellers of that time would make pottery statues of Lu Yu and worship him as the "tea ...
In the design of experiments in statistics, the lady tasting tea is a randomized experiment devised by Ronald Fisher and reported in his book The Design of Experiments (1935). [1] The experiment is the original exposition of Fisher's notion of a null hypothesis , which is "never proved or established, but is possibly disproved, in the course of ...
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The Book of Tea (茶の本, Cha no Hon) A Japanese Harmony of Art, Culture, and the Simple Life (1906) [1] by Okakura Kakuzō (1906) is a long essay linking the role of chadō (teaism) to the aesthetic and cultural aspects of Japanese life and protesting Western caricatures of "the East".