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This Is Reggae Music: The Golden Era 1960–1975 is a reggae retrospective anthology issued as a 4-CD box set in 2004 by Trojan Records. [1] [2] [3] The anthology, which was compiled by Colin Escott and Bas Hartong, is arranged in chronological order and features tracks by various artists, starting with mento and ska from the first half of the 1960s, then progressing to the slower rhythms of ...
The song's lyrics are credited to Penn, Bo Diddley and Willie Cobbs, and production was handled by Steely & Clevie. Penn had originally recorded a version of Cobbs' 1960 song "You Don't Love Me" in 1967, incorporating elements of its music and lyrics. It is claimed that the Cobbs song was, in turn, based on Diddley's 1955 song "She's Fine, She ...
Pages in category "American reggae songs" The following 50 pages are in this category, out of 50 total. This list may not reflect recent changes. A. All in My Head (Flex)
Pages in category "Reggae songs" The following 23 pages are in this category, out of 23 total. This list may not reflect recent changes. 0–9.
This is a list of reggae musicians. This includes artists who have either been critical to the genre or have had a considerable amount of exposure (such as in the case of one that has been on a major label). Bands are listed by the first letter in their name (not including the words "a", "an", or "the"), and individuals are listed by last name.
The George Clinton-led Parliament-Funkadelic created a unique and influential sound by blending funk with psychedelic rock, while Stevie Wonder’s Songs in the Key of Life (1976) and Marvin Gaye ...
Nicky Thomas was born and raised in Portland Parish, Jamaica. [2] He began work as a labourer in Kingston where he worked alongside future members of The Gladiators. [3] His opportunity to cut some records came when the former Jiving Junior and producer, Derrick Harriott wrote and produced "Run Mr Nigel Run" for Thomas.
The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1980s.It was originally written and recorded as "Stalag 17" (named after the 1953 war film) by Ansel Collins and released by Winston Riley's Techniques record label in 1973. [1]