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Connie's Inn was a Harlem, New York City, black and tan nightclub established in 1923 by Connie Immerman (né Conrad Immerman; 1893–1967) [1] in partnership with two of his brothers, George (1884–1944) and Louie Immerman (1882–1955).
Entrepreneur Ed Smalls [a] owned a small venue in Harlem, the Sugar Cane Club, from 1917 to 1925, which catered primarily to local residents. [4] [5] When Smalls opened Smalls Paradise [b] in the basement of an office building at 2294 Seventh Avenue, he envisioned a night club which would not exclude his neighbors but would also be attractive to New Yorkers who lived in the city's downtown area.
The Lodge's ball in 1869 was recognized as the first drag ball in United States history. The Hamilton Lodge Ball reached the peak of its popularity in the 1920s and early 1930s, as the Harlem Renaissance and Pansy Craze drew wealthy white New Yorkers and celebrities into Harlem nightlife. The Hamilton Lodge Ball drew hundreds of drag performers ...
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
From the clubs of Harlem to the cabarets of Paris, the music of the Harlem Renaissance had global appeal. This Miami Beach music festival shows how the Harlem Renaissance took Europe by storm Skip ...
As New York Times critic Wesley Morris noted of the album upon its release, its title is also a powerful callback to the Harlem Renaissance, an era in which artists and writers fled Jim Crow and ...
The Renaissance Ballroom & Casino was an entertainment complex at 2341–2349 Adam Clayton Powell Jr. Boulevard (Seventh Avenue) in the Harlem neighborhood of Manhattan in New York City. When opened in 1921, it included a casino, ballroom, 900-seat theater, six retail stores, and a basketball arena.
In the late 1920s, Billie Holiday, under her birth name, Eleanora Fagan, sang for tips at small Harlem venues, namely the Nest Club, Pod's and Jerry's, the Yeah Man (1925–1960) [Note 6] at 2350 Seventh Avenue at 138th Street, and Monette's at 148 West 133rd (1926–). Microphones to amplify vocalist were not yet used in Harlem nightclubs.