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Kala Keerthi Monica Ruwanpathirana (Sinhala: මොනිකා රුවන්පතිරණ) (1946 – 2004) was a Sri Lankan poet and writer. She is considered one of the most acclaimed poets in modern Sinhala poetry. [2] She has written 23 books, including nineteen poetry and three of them won the State Literary Award. [3]
The largest part of Sri Lankan literature was written in the Sinhala language, but there is a considerable number of works in other languages used in Sri Lanka over the millennia (including Tamil, Pāli, and English). However, the languages used in ancient times were very different from the language used in Sri Lanka now.
Wikkramasinha's work appeared in Madrona, Eastern Horizon, New Ceylon Writing, Outposts, University of Chicago Review, and other local and international journals, and was published privately by him in Janakiharana and Other Poems ( 1967 ), Fifteen Poems ( 1970 —both Kandy), and Nossa Senhora dos Chingalas ( 1973 ), O Regal Blood ( 1975 ), and ...
The Hela Havula is a Sinhalese literary organisation founded by Kumaratunga Munidasa in January 1941. [1] ' Hela Hawula' was formed as the only organization in Sri Lanka to protect and uplift the Sinhala language, Sinhala land and Sinhala culture.
On the occasion of the 2500th anniversary of the Sinhala nation, he was honored as 'Mahakavi' who wrote the great poem 'Sinhala Vamsaya' with 2500 poems. The poetry later won state awards. His prose essay 'Kawuduwa' was published in 1954. [3] His other prose works include Giyakala, Baspara, and literary critics such as Ape Kavi and Ape Asun Kavi.
Guththila Kawya (Sinhala: ගුත්තිල කාව්ය, Anglicized: Guttila Kāvya) is a book of poetry written in the period of the Kingdom of Kotte (1412-1597) by Weththewe Thero. [ 1 ] The book is based on a story of previous birth of Gautama Buddha mentioned on Guththila Jataka in Jataka tales of Gautama Buddha.
Donna Isabella Koraneliya (Sinhala: දෝන ඉසබෙලා කොරනෙලියා) (a.k.a. Gajaman Nona) (10 March 1746 – 15 December 1815) was a Sri Lankan poet of the Matara Era, noted for her ability to create impromptu Sinhala poetry.
Geiger's Sinhala student G. C. Mendis was more openly skeptical about certain portions of the text, specifically citing the story of the Sinhala ancestor Vijaya as being too remote historically from its source and too similar to an epic poem or other literary creation to be seriously regarded as history.