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The painting shows a nude, redheaded woman riding a black, frenetic horse. The horse bares its teeth, its tongue hanging out. Its nostrils are dilated and foam runs from its mouth. The woman riding the horse tightly clasps its neck with her eyes closed, her loose hair fanning out and flowing upwards to mingle with the horse's mane.
Stubbs's Molly Long-legs with her Jockey (1761–62), a more typical racehorse portrait (101 × 127 cm). Stubbs's knowledge of equine physiology was unsurpassed by any painter; he had studied anatomy at York and, from 1756, he spent 18 months in Lincolnshire where he carried out dissections and experiments on dead horses to better understand the animal's physiology.
Lucy Elizabeth Kemp-Welch (20 June 1869 – 27 November 1958) was a British artist and teacher who specialized in painting horses. Though increasingly overlooked after the Second World War, from the late 1890s to the mid-1920s she was one of the country's best-known female artists.
The painting will be auctioned on Nov. 20 in Toronto, with its value estimated at $100,000 to $200,000. Canadian painter Emily Carr’s artwork will be sold at auction. Facebook
Veryl Goodnight: The Day the Wall Came Down, 1998 copy in Clayallee, Berlin-Zehlendorf near Allied Museum Veryl Goodnight (born January 26, 1947) is a sculptor and painter who since 2006 has been living in Mancos, Colorado. [1]
The painting is now known in some quarters as Hells Kitchen. This was the nickname of a room in The Flying Horse (later named the Princess Hotel followed by The Golden Bengal Indian Restaurant) in the Groat Market (off Collingwood Street), Newcastle , which was the setting for the painting.