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Franz Liszt's Piano Concerto No. 3 in E-flat major, Op. posth. , was possibly composed in 1839. It is believed that this piece was composed before the first two concertos, but the dating is inconclusive as there are claims it was not finished until 1847. Like his second piano concerto, it is a one-movement piece.
Piano Concerto No. 2 in F minor (1829–1830), Op. 21. [12] Piano Concerto No. 1 in E minor (1830), Op. 11. [13] Grande polonaise brillante (1830–1831), in 1834 expanded with an introductory Andante spianato for solo piano, and a fanfare-like transition to the earlier composition, together published as Op. 22. [4]
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
Septet in D minor, Op. 74 (piano, flute, oboe, horn, viola, cello, double bass) Edition piano, flute, oboe, horn, viola, 2 cellos ? - Liszt transcribed the work for piano solo, in 2 versions. He also produced his own edition of the original work but provided an alternative scoring in which a second cello replaced the double bass. [29] Transcription
Piano Concerto No. 3 refers to the third piano concerto written by one of a number of composers: Piano Concerto No. 3 (Balada), by Leonardo Balada, 1899; Piano Concerto No. 3 (Bartók) in E major (Sz. 119, BB 127) by Béla Bartók, 1945; Piano Concerto No. 3 (Beethoven) in C minor (Op. 37), c.1800; Piano Concerto No. 3 (Chopin) (Allegro de ...
Chopin: Piano Concerto No. 1 in E minor (Op. 11), transcription for solo piano (c1865?)* Chopin: Piano Concerto No. 2 in F minor (Op. 21), 2nd movement, transcription for solo piano [reconstructed] Clementi: Gradus ad Parnassum (Op. 44), edited and fingering by Tausig [see also selections in Paraphrase section]
The Fantasy on Polish Airs was given its premiere on 17 March 1830, at the same concert in which the Piano Concerto No. 2 in F minor was first performed in public. It was played again on 11 October the same year, at the concert at which the Piano Concerto No. 1 in E minor was premiered. [6]
Johann Nepomuk Hummel's Piano Concerto No. 3 in B minor, Op. 89 was composed in Vienna in 1819 and published in Leipzig in 1821. [1]Along with the slightly earlier Concerto No. 2, it is written in a proto-Romantic style that anticipates the later stylistic developments of composers such as Frédéric Chopin, Robert Schumann, Felix Mendelssohn and Franz Liszt.