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Christ Crucified (Spanish: Cristo crucificado) is a 1780 oil-on-canvas painting of the crucifixion of Jesus by Spanish Romantic painter Francisco de Goya.He presented it to the Real Academia de Bellas Artes de San Fernando as his reception piece as an academic painter.
The painting depicts the mystery of Calvary, with Jesus Christ crucified, and at his feet three characters. On the left side the Virgin Mary, to the right the Apostle St. John, and at the foot of the cross, a blurred figure in the background that traditional historiography has interpreted as that of hermit, but which recent studies have associated with St. Peter the Apostle, on the scene of ...
The crucifixion of Jesus is central to Christianity [1] and the cross (in Roman Catholicism usually depicted with Jesus nailed to it) is Christianity's preeminent religious symbol. His death is the most prominent example of crucifixion in history, which in turn has led many cultures in the modern world to associate the execution method closely ...
Jesus said to wailing women: "Don't weep for me, but for yourselves and your children." — Crucifixion 27:34–36 15:23–25 23:33–34 19:18, 23–24 Jesus tasted wine mixed with gall, refused to drink more. Jesus refused to drink wine mixed with myrrh. — — Soldiers crucified Jesus, cast lots for his clothes and kept watch.
The first person, after several other attempts at tackling the subject, who broadly and thoroughly questioned the mental health of Jesus was French psychologist Charles Binet-Sanglé, the chief physician of Paris and author of a four-volume work La Folie de Jésus (The Madness of Jesus, 1908–1915).
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The spirituality and mystery of this painting have inspired much religious writing, notably the poem El Cristo de Velázquez by the Spanish writer and philosopher Miguel de Unamuno. In St Louis, Missouri, the Basilica of St Louis, King of France has a replica of Christ Crucified above the altar.
Christ on the Cross is a 1627 oil painting on canvas by the Spanish painter Francisco de Zurbarán, now in the Art Institute of Chicago. [1]In 1626 Zurbarán signed a new contract with the Dominicans of San Pablo de Real Monastery in Seville to produce 21 paintings in 8 months.